Oil on canvas
52×52 inch
In this painting, daffodils are reduced to graphic silhouettes, their yellow and orange forms set against a dense black ground. The flowers appear flattened, stretched, and swept in a single directional flow, suggesting movement without depicting wind. The stark contrast between foreground and background shifts the subject from botanical motif to compositional structure, emphasizing rhythm, repetition, and negative space. Through this reduction, the work explores how natural forms become symbols, patterns, and visual signals rather than representations, inviting the viewer to consider perception as an act of abstraction.
Oil on canvas
52×52 inch
In this painting, daffodils are reduced to graphic silhouettes, their yellow and orange forms set against a dense black ground. The flowers appear flattened, stretched, and swept in a single directional flow, suggesting movement without depicting wind. The stark contrast between foreground and background shifts the subject from botanical motif to compositional structure, emphasizing rhythm, repetition, and negative space. Through this reduction, the work explores how natural forms become symbols, patterns, and visual signals rather than representations, inviting the viewer to consider perception as an act of abstraction.
